Recent years have seen a surge in the popularity of retellings of Old English Literature, and of Beowulf in particular, captivating a broad readership beyond academic circles. These retellings have captured the interest of both casual readers and scholars alike, who have approached them through various lenses and methodologies. Surprisingly, research within the field of Anglo-Saxonism devoted little attention to the pivotal role played by objects in Beowulf retellings, despite their profound impact on the characterization of the Anglo-Saxon hero[1] and the narrative role they play into the poem. This research project investigates how 20^th and 21^st century authors transpose the treasure, the sword, and the armour in their novelistic retellings of the Old English poem. It acknowledges different trend in the retellings, identifying in particular two distinct attitudes towards the recovery of Old English material: an interest in its pictured primitivistic atmosphere, on the one hand, and an intent of subverting its perceived values, on the other. The central focus lies on understanding the intricate relationship between these items and the hero or the king, and how they contribute to his characterization or to the development of the heroic narrative. Identifying what the Manipulation School has broadly defined as “invariants”—semantic features shared by both the hypotext and the hypertexts—allows us to discern the variations introduced by authors. Through the analysis of invariants and variations, the research explores the common ideological thread underlying these novels and investigates changes in heroic culture that are employed to recast the Anglo-Saxon hero in the 20^th and 21^st century.

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Research interests

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Marmora, G. 2024. “Reviving Old Norse Myths: Neil Gaiman’s Norse Mythology and its sources”, in Casaccia, M. et al. eds.? ?Baigner le présent dans le sacré? La ricezione letteraria del mito dall'antichità alla contemporaneità. Trento: Università di Trento editrice. (forthcoming)

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Marmora, G. 2024. “Designing Norse Gods in Comics: Graphic Characterization and Popularisation in N. Gaiman and P. Craig Russell’s Norse Mythology.”, in Giordano, C. & Marmora, G. eds. Rifrazioni. La vita del testo fra forme antiche e nuove espressioni. Napoli: Liguori. (forthcoming)

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Marmora, G. 2023. “Reshaping the Anglo-Saxon Scop: Truth Manipulation and Personal Gain in Modern Retellings of Beowulf”. Amsterdamer Beitr?ge zur ?lteren Germanistik. 291–319.

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Marmora, G. 2021. Il mito di Beowulf. Risonanze antiche e moderne [The Myth of Beowulf: Ancient and Modern Resonances]. Rome: Aracne.

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Marmora, G. 2020. "'That was an innocent child'. Unearthing the voice of the defeated in S. S. Morrison’s Grendel’s Mother", in Giordano, C. ed. Risonanze III. La memoria dei testi dal 伟德国际_伟德国际1946$娱乐app游戏ioevo a oggi. Napoli: Liguori. 169-184.

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Marmora, G. 2019. "Ofer hronrade: 'al di là del mare, la via delle balene'. Questioni sulla traduzione del Beowulf in prosa italiana" [Ofer hronrade: 'al di là del mare, la via delle balene'. "Questions on the translation of Beowulf into Italian prose". Open Journal of Humanities 2: 41-74.

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Marmora, G. 2019. "Scrivere e leggere il Cilendanu. Un tentativo di normalizzazione morfo-fonetica" [Reading and writing the Cilendanu. An attempt at morpho-phonetic normalization], in Del Duca, D. Pòvere chi care... Stranaofficina. 17-19.

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Edited Books

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Ferroni, L., Gavilli, R. & Marmora, G. eds. 2025. Il bene e il male nel medioevo germanico. Milano: Ledizioni. (forthcoming)

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Giordano, C. & Marmora, G. eds. 2024. Rifrazioni. La vita del testo fra forme antiche e nuove espressioni. Napoli: Liguori. (forthcoming)

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Conferences

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22-24/08/2024, Stavanger (NO), 伟德国际_伟德国际1946$娱乐app游戏 of Stavanger. The Middle Ages in the 20th and 21st Centuries: Relevance, Reimagination, Inspiration (MARRI).

• Speaker: “Ethical Discourse after The Battle of Maldon: Exploring Cowardice in J.L. Borges, Wu Ming 4 and J.O. Morgan”.

25-26/01/2024, Naples, 伟德国际_伟德国际1946$娱乐app游戏 of Naples "L'Orientale". Rifrazioni. La vita del testo fra forme antiche e nuove espressioni.

• Organizing Committee
• Speaker: Visualizzare il racconto mitologico: Norse Mythology di Neil Gaiman dal libro al fumetto [Visualizing the mythological narrative: Norse Mythology by Neil Gaiman from book to comic].

06-07/06/2023, Naples, 伟德国际_伟德国际1946$娱乐app游戏 of Naples "L'Orientale" (IT). II convegno dottorale AIFG. “l bene e il male nel 伟德国际_伟德国际1946$娱乐app游戏ioevo germanico”.

• Programme Committee

07-09/06/2023, Naples, 伟德国际_伟德国际1946$娱乐app游戏 of Naples "L'Orientale" (IT). XLIX Convegno annuale dell’Associazione Italiana di Filologia Germanico. “Linguaggio poetico e strutture retoriche nei testi germanici medievali”

• Organising Committee

23-25/10/2023. Trento, 伟德国际_伟德国际1946$娱乐app游戏 of Trento (IT) ?Baigner le présent dans le sacré? La ricezione letteraria del mito dall’antichità alla contemporaneità

• Programme and Organising Committee
• Speaker: Reviving Old Norse Myths: Unveiling the Artistry of Neil Gaiman's Norse Mythology

20/01/2023, Leiden, Leiden 伟德国际_伟德国际1946$娱乐app游戏 (NL). Graduate Conference: Beowulf and Beyond. An Eraly 伟德国际_伟德国际1946$娱乐app游戏ieval Poem and its Modern Adaptation.

• Keynote: “Vae Victis! The Scop as the Forger of the Truth in Beowulf Retellings”

23-24/01/2020, Naples, 伟德国际_伟德国际1946$娱乐app游戏 of Naples "L'Orientale" (IT). Risonanze III. La memoria dei testi dal 伟德国际_伟德国际1946$娱乐app游戏ioevo a oggi.

• Speaker: “Stay with me, my dear. This is man’s business”. The voice of the defeated in Morrison’s Grendel’s Mother

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giuliano.marmora@uni-a.de

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giuliano.marmora@unitn.it