Prof. Dr. phil. Martin Middeke

Chairholder

English Literature

Phone:	+49 821 598 - 2746
Email:	martin.middeke@philhist.uni-augsburgphilhist.uni-augsburg.de ()
Room:	4045 (D)
Address:	Universit?tsstra?e 10, 86159 Augsburg

Contact (.vcf)

Office Hours

Please contact the secretary's office ( sekretariat.elw@phil.uni-augsburg.de).

Main Areas of Research

English Romanticism
The Nineteenth-Century Novel
Fin de Siècle Fiction and Drama
James Joyce – Samuel Beckett
The Postmodern Novel
Contemporary Anglophone Drama (particularly England/Ireland/Canada)
Literary Theory (especially phenomenological hermeneutics and questions of cultural anthropology; interrelations between philosophy, aesthetics and structures of lifeworld)
Interrelations between literature and historiography
Biofiction
Cross-media relations between literature and painting

Academic Curriculum Vitae

Born on 24. April 1963 in Paderborn
伟德国际_伟德国际1946$娱乐app游戏 of Paderborn: English, German, philosophy and education; examination in 1990
1986/87: DAAD scholarship: 伟德国际_伟德国际1946$娱乐app游戏 of Reading, Berks., U.K.
Doctoral Fellowship by the German National Academic Foundation
1993: PhD, 伟德国际_伟德国际1946$娱乐app游戏 of Paderborn (summa cum laude)
1993-2001: Assistant Professor, 伟德国际_伟德国际1946$娱乐app游戏 of Paderborn
1995: Fulbright Scholarship: New York 伟德国际_伟德国际1946$娱乐app游戏, New York City, USA
1998 and 1999: Research Fellowship, International Beckett Foundation, Reading, Berks., U.K.
2000: Post-Doctoral Qualification at 伟德国际_伟德国际1946$娱乐app游戏 of Paderborn
2000-2001: Deputy Professor, 伟德国际_伟德国际1946$娱乐app游戏 of Augsburg
2000-2004: Member of the Advisory Board of the Deutsche Anglistenverband
12/2001: Full Professor and Chair of English Literature, 伟德国际_伟德国际1946$娱乐app游戏 of Augsburg
Since 01/2006: Co-editor of Anglia. Zeitschrift für Englische Philologie.
2008: Visiting Professor, 伟德国际_伟德国际1946$娱乐app游戏 of Johannesburg, South Africa
Since 2010: Visiting Professor at the 伟德国际_伟德国际1946$娱乐app游戏 of Johannesburg, South Africa
Member of the Selection Committee at the German National Academic Foundation
Since 2010: Mentor at the "Max-Weber-Programm des Bayerischen Elitenetzwerks"
2011-2013: Vice Dean of the Faculty of Philology and History, 伟德国际_伟德国际1946$娱乐app游戏 of Augsburg
Since 2012: Member of the Research Group "Ethical Speculations on Contemporary British Drama"
Since 2012: General Editor Journal of Contemporary Drama in English (Berlin/Boston: De Gruyter)
Since 2012: Member of the Research Group "Contemporary British Theatre", 伟德国际_伟德国际1946$娱乐app游戏 of Barcelona ( more information)
Since 2013: Member of the Advisory Board of C21: Journal of Twenty-First Century Literature (London: Gylph Publishing)
Since 2013: Elected Member of Academia Europaea (https://www.ae-info.org)
2013-2015: Dean of the Faculty of Philology and History, 伟德国际_伟德国际1946$娱乐app游戏 of Augsburg
2014: Visiting Professor, 伟德国际_伟德国际1946$娱乐app游戏 of Barcelona, Spain
2015-2017: Vice Dean of the Faculty of Philology and History, 伟德国际_伟德国际1946$娱乐app游戏 of Augsburg
2016: Fellowship at the Jakob-Fugger-Zentrum, 伟德国际_伟德国际1946$娱乐app游戏 of Augsburg
2016: Visiting Professor, 伟德国际_伟德国际1946$娱乐app游戏 of Barcelona, Spain
2016-2017: Long Room Hub Research Fellow, Trinity College Dublin, Ireland
2018-2019: Appointed Jury Member: Dublin Literary Award 2019 (https://dublinliteraryaward.ie)
Since 2019: Appointed Member of the Section Committee: Literary and Theatrical Studies (Academia Europaea)

Current Projects

Samuel Becketts Sp?twerk und Phenomenology
The Coming Community in Contemporary Anglophone Drama
with Christoph Reinfandt (Tübingen): Theory Matters: The Place of Theory in Contemporary Literary and Cultural Studies Today (Basingstoke/New York: Palgrave Macmillan, 20
with Monika Pietrzak-Franger (Hamburg): Handbook of the English Novel: 1830-1900. Text and Theory (Berlin/Boston: De Gruyter, 2017) [in Vorbereitung]
with Christopher Morash (Trinity College Dublin) Time and Irish Literature: 1800 to the Present (Cambridge: Cambridge 伟德国际_伟德国际1946$娱乐app游戏 Press, 2019) [in Vorbereitung].

Publications

2024 | 2022 | 2021 | 2020 | 2018 | 2017 | 2016 | 2015 | 2014 | 2012 | 2011 | 2010 | 2009 | 2007 | 2006 | 2005 | 2004 | 2003 | 2002 | 2001 | 1999 | 1998 | 1996 | 1995 | 1994 | 1991 | 1990

2024

Middeke, Martin (2024): The inoperative community in twenty-first-century British theatre. In: Journal of Contemporary Drama in English 12 (1), S. 34-57. DOI: 10.1515/jcde-2024-2002
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2022

Middeke, Martin; Riedelsheimer, Martin (2022): Co-mutability, nodes, and the mesh: critical theatre ecologies – an introduction. In: Journal of Contemporary Drama in English 10 (1), S. 2-25. DOI: 10.1515/jcde-2022-0002
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Middeke, Martin; Riedelsheimer, Martin (Hg.) (2022): Journal of Contemporary Drama in English: Special Issue - Critical Theatre Ecologies. Berlin: de Gruyter.
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2021

Aragay, Mireia; Delgado-Garcia, Christina; Middeke, Martin (Hg.) (2021): Affects in 21st-century British theatre: exploring feeling on page and stage. London: Palgrave Macmillan.
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Middeke, Martin (2021): History and biography. In: David Kornhaber, James N. Loehlin (Hg.): Tom Stoppard in context. Cambridge: Cambridge 伟德国际_伟德国际1946$娱乐app游戏 Press, S. 104-111. DOI: 10.1017/9781108303736.017
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Aragay, Mireia; Delgado-Garcia, Christina; Middeke, Martin (2021): Introduction: thinking-feeling our way. In: Mireia Aragay, Christina Delgado-Garcia, Martin Middeke (Hg.): Affects in 21st-century British theatre: exploring feeling on page and stage. London: Palgrave Macmillan, S. 1-19.
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Fludernik, Monika; Middeke, Martin; Buchleitner, Andreas (2021): Symmetry, proportion and seriality: the semantics of mirroring and repetition in science and the arts - introduction to Special Issue. In: European Review 29 (2), S. 159-162. DOI: 10.1017/s106279872000037x
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Middeke, Martin (2021): Vibrant materials: affective arrangements, the allure of glamour and architexture(s) in Penelope Skinner's Eigengrau and Mike Bartlett's Game. In: Mireia Aragay, Christina Delgado-García, Martin Middeke (Hg.): Affects in 21st-century British theatre: exploring feeling on page and stage. London: Palgrave Macmillan, S. 193-217.
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2020

Middeke, Martin; Pietrzak-Franger, Monika (Hg.) (2020): Handbook of the English novel, 1830-1900. Berlin: de Gruyter Mouton (Handbooks of English and American Studies ; 9). DOI: 10.1515/9783110376715
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Middeke, Martin; Pietrzak-Franger, Monika (2020): Metamorphoses in English culture and the novel, 1830–1900: an introduction. In: Martin Middeke, Monika Pietrzak-Franger (Hg.): Handbook of the English novel, 1830–1900. Berlin: De Gruyter (Handbooks of English and American Studies ; 9), S. 1-20. DOI: 10.1515/9783110376715-001
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Middeke, Martin (2020): Thomas Hardy, Jude the Obscure (1895). In: Martin Middeke, Monika Pietrzak-Franger (Hg.): Handbook of the English novel, 1830–1900. Berlin: De Gruyter (Handbooks of English and American Studies ; 9), S. 529-546. DOI: 10.1515/9783110376715-031
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2018

Kornhaber, David; Middeke, Martin (2018): Drama, Theatre, and Philosophy: An Introduction. In: Anglia: Journal of English Philology 136 (1), S. 1-10. DOI: 10.1515/ang-2018-0006
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Middeke, Martin (2018): Of Incommensurability: A Response to Ranjan Ghosh's and J. Hillis Miller's "Thinking Literature Across Continents". In: College Literature 45 (4), S. 846-854. DOI: 10.1353/lit.2018.0054
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2017

Middeke, Martin (2017): Joseph Conrad, "Lord Jim". In: Günter Butzer, Hubert Zapf (Hg.): Gro?e Werke der Literatur: eine Ringvorlesung an der Universit?t Augsburg: Band 14 (2014/2015). Tübingen: Francke, S. 156.
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Aragay, Mireia; Middeke, Martin (Hg.) (2017): Of Precariousness: Vulnerabilities, Responsibilities, Communities in 21st-Century British Drama and Theatre. Berlin u.a.: De Gruyter (Contemporary Drama in English Studies ; 28). DOI: 10.1515/9783110548716
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Aragay, Mireia; Middeke, Martin (2017): Precariousness in Drama and Theatre: An Introduction. In: Mireia Aragay, Martin Middeke (Hg.): Of Precariousness: Vulnerabilities, Responsibilities, Communities in 21st-Century British Drama and Theatre. Berlin u.a.: De Gruyter (Contemporary Drama in English Studies ; 28), S. 1-14. DOI: 10.1515/9783110548716-001
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Middeke, Martin (2017): The Inoperative Community and Death: Ontological Aspects of the Precarious in David Greig’s The Events and Caryl Churchill’s Here We Go. In: Mireia Aragay, Martin Middeke (Hg.): Of Precariousness: Vulnerabilities, Responsibilities, Communities in 21st-Century British Drama and Theatre. Berlin u.a.: De Gruyter (Contemporary Drama in English Studies ; 28), S. 217-234. DOI: 10.1515/9783110548716-015
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2016

Middeke, Martin; Reinfandt, Christoph (2016): Interlude I: The Cultures of Reflexivity. In: Martin Middeke, Christoph Reinfandt (Hg.): Theory Matters: The Place of Theory in Literary and Cultural Studies Today. London: Palgrave Macmillan, S. 113-116. DOI: 10.1057/978-1-137-47428-5_8
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Middeke, Martin; Reinfandt, Christoph (2016): Interlude II: Ideologies of Habitus. In: Martin Middeke, Christoph Reinfandt (Hg.): Theory Matters: The Place of Theory in Literary and Cultural Studies Today. London: Palgrave Macmillan, S. 197-201. DOI: 10.1057/978-1-137-47428-5_14
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Middeke, Martin; Reinfandt, Christoph (2016): Interlude III: On Interpretation. In: Martin Middeke, Christoph Reinfandt (Hg.): Theory Matters: The Place of Theory in Literary and Cultural Studies Today. London: Palgrave Macmillan, S. 281-284. DOI: 10.1057/978-1-137-47428-5_20
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Middeke, Martin; Reinfandt, Christoph (2016): Introduction: The Place of Theory Today. In: Martin Middeke, Christoph Reinfandt (Hg.): Theory Matters: The Place of Theory in Literary and Cultural Studies Today. London: Palgrave Macmillan, S. 1-14. DOI: 10.1057/978-1-137-47428-5_1
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Middeke, Martin; Reinfandt, Christoph (2016): Introduction: The Place of Theory Today. In: Martin Middeke, Christoph Reinfandt (Hg.): Theory matters the place of theory in literary and cultural studies today. London: Palgrave Macmillan, S. 1-16.
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Middeke, Martin (2016): The Art of Compearance: Ethics, (Reading) Literature, and the Coming Community. In: Martin Middeke, Christoph Reinfandt (Hg.): Theory Matters: The Place of Theory in Literary and Cultural Studies Today. London: Palgrave Macmillan, S. 247-263. DOI: 10.1057/978-1-137-47428-5_18
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Middeke, Martin; Reinfandt, Christoph (Hg.) (2016): Theory Matters: The Place of Theory in Literary and Cultural Studies Today. London: Palgrave Macmillan UK. DOI: 10.1057/978-1-137-47428-5
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2015

Middeke, Martin (2015): Emily Bront? "Wuthering Heights". In: Günter Butzer, Hubert Zapf (Hg.): Gro?e Werke der Literatur: Band 13: 2012/2013. Tübingen: Francke, S. 129-142.
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Homann, Greg; Middeke, Martin; Schnierer, Peter Paul (2015): Introduction. In: Martin Middeke, Peter Paul Schnierer, Greg Homann (Hg.): The Methuen Drama Guide to Contemporary South African Theatre. London: Bloomsbury Methuen Drama (Methuen drama), S. I-VI.
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2014

Middeke, Martin; Schnierer, Paul Peter; Innes, Christopher; Roundané, Matthew (2014): Introduction. In: Martin Middeke, Peter Paul Schnierer, Christopher Innes, Matthew Roundané (Hg.): The Methuen Drama Guide to Contemporary American Playwrights. London [u.a.]: Bloomsbury (Methuen drama), S. VII-XXIV.
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Middeke, Martin; Wald, Christina (2014): Melancholia as a Sense of Loss: An Introduction. In: Martin Middeke, Christina Wald (Hg.): The Literature of Melancholia: Early Modern to Postmodern. London: Palgrave Macmillan, S. 1-19. DOI: 10.1057/9780230336988_1
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Middeke, Martin; Roudané, Matthew Charles; Innes, Christopher; Schnierer, Peter Paul (Hg.) (2014): The Methuen Drama Guide to Contemporary American Playwrights. London [u.a.]: Bloomsbury (Methuen drama).
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Middeke, Martin; Schnierer, Peter Paul; Homann, Greg (Hg.) (2014): The Methuen Drama Guide to Contemporary South African Theatre. London [u.a.]: Bloomsbury (Methuen drama).
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Middeke, Martin (2014): The Undecidable and the Event: Ethics of Unrest in Martin Crimp’s Attempts on Her Life and debbie tucker green’s truth and reconciliation. In: Mireia Aragay, Enric Monforte (Hg.): Ethical Speculations in Contemporary British Theatre. London: Palgrave Macmillan, S. 96-113. DOI: 10.1057/9781137297570_6
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Middeke, Martin (2014): Wallace Shawn. In: Martin Middeke, Peter Paul Schnierer, Christopher Innes, Matthew Roudané (Hg.): The Methuen Drama Guide to Contemporary American Playwrights. London [u.a.]: Bloomsbury (Methuen drama), S. 297-316.
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2012

Zapf, Hubert; Middeke, Martin (2012): Drama nach 1945. In: Hans Ulrich Seeber (Hg.): Englische Literaturgeschichte. Stuttgart u.a.: Metzler, S. 421-463. DOI: 10.1007/978-3-476-00738-4_7
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Middeke, Martin; Müller, Timo; Wald, Christina; Zapf, Hubert (Hg.) (2012): English and American Studies: Theory and Practice. Stuttgart: J.B. Metzler. DOI: 10.1007/978-3-476-00406-2
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Middeke, Martin (2012): Ian McEwan: Atonement. In: Hans Vilmar Geppert, Günter Butzer, Hubert Zapf (Hg.): Gro?e Werke der Literatur: Band 12. Tübingen: Presse-Dr. und Verl.-GmbH (Gro?e Werke der Literatur: eine Ringvorlesung an der Universit?t Augsburg ; 12), S. 210-240.
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Middeke, Martin; Müller, Timo; Wald, Christina; Zapf, Hubert (2012): Introducing Literary Studies. In: Martin Middeke, Timo Müller, Christina Wald, Hubert Zapf (Hg.): English and American Studies: theory and practice. Stuttgart [u.a.]: Metzler, S. 3-4.
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Middeke, Martin; Müller, Timo (2012): Poststructuralism / Deconstruction. In: Martin Middeke, Timo Müller, Christina Wald, Hubert Zapf (Hg.): English and American Studies: theory and practice. Stuttgart [u.a.]: Metzler, S. 197-203.
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Middeke, Martin (2012): Reception Theory. In: Martin Middeke, Timo Müller, Christina Wald, Hubert Zapf (Hg.): English and American Studies: theory and practice. Stuttgart [u.a.]: Metzler, S. 191-196.
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Middeke, Martin (2012): Self-reflexivity and metafiction in Martin McDonagh's plays. In: Sandra Mayer, Julia Novak, Margarete Rubik (Hg.): Ireland in drama, film and popular culture: Festschrift for Werner Huber. Trier: WVT Wiss. Verl. Trier, S. 37-44.
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Middeke, Martin; Reinfandt, Christoph (2012): The Place of Theory: Introduction. In: Monika Fludernik, Bernd Kortmann (Hg.): Anglistentag 2011 Freiburg: Proceedings. Trier: WVT Wiss. Verl. Trier (Proceedings of the Conference of the German Association of 伟德国际_伟德国际1946$娱乐app游戏 Teachers of English ; 33), S. 305-307.
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Middeke, Martin (2012): The Victorian Age. In: Martin Middeke, Timo Müller, Christina Wald, Hubert Zapf (Hg.): English and American Studies: theory and practice. Stuttgart [u.a.]: Metzler, S. 56-77.
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2011

Middeke, Martin; Schnierer, Peter Paul; Sierz, Aleks (2011): Introduction. In: Martin Middeke, Peter Paul Schnierer, Aleks Sierz (Hg.): The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Drama (Methuen drama), S. VII-XXIV.
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Middeke, Martin (2011): Literature and/as Ethics: An Introduction. In: Anglia - Zeitschrift für englische Philologie 129 (1-2), S. V-IX. DOI: 10.1515/angl.2011.036
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Middeke, Martin (2011): Martin Crimp. In: Martin Middeke, Peter Paul Schnierer, Aleks Sierz (Hg.): The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Drama (Methuen drama), S. 82-102.
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Middeke, Martin; Wald, Christina (Hg.) (2011): The Literature of Melancholia: Early Modern to Postmodern. London: Palgrave Macmillan. DOI: 10.1057/9780230336988
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Middeke, Martin; Schnierer, Peter Paul; Sierz, Aleks (Hg.) (2011): The Methuen Drama Guide to Contemporary British Playwrights. London: Methuen Drama (Methuen drama).
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2010

Middeke, Martin; Schnierer, Peter Paul (2010): Introduction. In: Martin Middeke, Peter Paul Schnierer (Hg.): The Methuen Drama Guide to Contemporary Irish Playwrights. London: Methuen Drama (Methuen drama), S. vii-xix.
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Middeke, Martin; Henke, Christoph (Hg.) (2010): Literature and Circularity. New York: AMS Press (Symbolism: An International Annual of Critical Aesthetics ; 9).
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Guest edited, special issue of "Symbolism: An International Annual of Critical Aesthetics"

Middeke, Martin; Henke, Christoph (2010): Literature and Circularity: An Introduction. In: Martin Middeke, Christoph Henke (Hg.): Literature and Circularity. New York: AMS Press (Symbolism: An International Annual of Critical Aesthetics ; 9), S. 1-12.
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Middeke, Martin (2010): Martin McDonagh. In: Martin Middeke, Peter Paul Schnierer (Hg.): The Methuen Drama Guide to Contemporary Irish Playwrights. London: Methuen Drama (Methuen drama), S. 213-233.
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Middeke, Martin; Henke, Christoph (2010): On Circles and Spirals: Meta-Hermeneutics in 20th Century Fiction. In: Martin Middeke, Christoph Henke (Hg.): Symbolism: An International Annual of Critical Aesthetics. New York: AMS Press, S. 103-128.
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Middeke, Martin; Schnierer, Peter Paul (Hg.) (2010): The Methuen Drama Guide to Contemporary Irish Playwrights. London [u.a.]: Bloomsbury Publishing (Guides to Contemporary Drama). DOI: 10.5040/9781408183045
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2009

Middeke, Martin (2009): Literatur und Wiederholung. In: Günter Butzer, Hubert Zapf (Hg.): Theorien der Literatur: Grundlagen und Perspektiven; Band 4. Tübingen: Francke, S. 191-215.
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2007

Middeke, Martin; Henke, Christoph (2007): Baudrillard Revisted: Simulation, Simulacra and Postmodern Mythmaking in the Matrix-Trilogy. In: Werner Huber, Evelyne Keitel, Gunter Sü? (Hg.): Intermedialities. Trier: WVT Wiss. Verl. Trier (Focal point ; 6), S. 11-26.
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Henke, Christoph; Middeke, Martin (Hg.) (2007): Drama and, after postmodernism: papers given on the occasion of the fifteenth annual conference of the German Society for Contemporary Theatre and Drama in English. Trier: WVT Wiss. Verl. Trier (Contemporary Drama in English ; 14).
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Middeke, Martin (2007): James Joyce: A Portrait of the Artist as a Young Man. In: Hans Vilmar Geppert, Günter Butzer, Hubert Zapf (Hg.): Gro?e Werke der Literatur: Band 10 (2006/2007). Tübingen: Presse-Dr. und Verl.-GmbH (Gro?e Werke der Literatur: eine Ringvorlesung an der Universit?t Augsburg ; 10), S. 121-138.
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Middeke, Martin (2007): Mary Shelley: Frankenstein, or The Modern Prometheus. In: Hans Vilmar Geppert, Günter Butzer, Hubert Zapf (Hg.): Gro?e Werke der Literatur: Band 11. Tübingen: Presse-Dr. und Verl.-GmbH (Gro?e Werke der Literatur: eine Ringvorlesung an der Universit?t Augsburg ; 11), S. 71-83.
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2006

Middeke, Martin (2006): 'Tis Fourteen Years Since': Bernhard Reitz and CDE. In: Sigrid Rieuwerts (Hg.): History and Drama: Essays in Honour of Bernhard Reitz. Trier: WVT Wiss. Verl. Trier (Mainz 伟德国际_伟德国际1946$娱乐app游戏 studies in English ; 9), S. 7-8.
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Middeke, Martin (2006): Bram Stoker "Dracula". In: Hans Vilmar Geppert, Günter Butzer, Hubert Zapf (Hg.): Gro?e Werke der Literatur : Band 9: 2004/2005. Tübingen: Francke, S. 102-118.
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Middeke, Martin (2006): Charles Darwin, The Origin of Species (1859). In: Rudolf Beck, Konrad Schr?der (Hg.): Handbuch der britischen Kulturgeschichte: Daten, Fakten, Hintergründe von der r?mischen Eroberung bis zur Gegenwart. München [u.a.]: Fink (UTB ; 8333 : Literaturwissenschaft, Geschichte), S. 308-312.
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Middeke, Martin (2006): Der Prozess gegen Oscar Wilde (1895). In: Rudolf Beck, Konrad Schr?der (Hg.): Handbuch der britischen Kulturgeschichte: Daten, Fakten, Hintergründe von der r?mischen Eroberung bis zur Gegenwart. München [u.a.]: Fink (UTB ; 8333 : Literaturwissenschaft, Geschichte), S. 325-330.
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Middeke, Martin (2006): Die Franz?sische Revolution (1789). In: Rudolf Beck, Konrad Schr?der (Hg.): Handbuch der britischen Kulturgeschichte: Daten, Fakten, Hintergründe von der r?mischen Eroberung bis zur Gegenwart. München [u.a.]: Fink (UTB ; 8333 : Literaturwissenschaft, Geschichte), S. 223-229.
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Middeke, Martin (2006): History as a Retro-Scenario: A Short Note on Alan Bennett?s The History Boys. In: Sigrid Rieuwerts (Hg.): History and Drama: Essays in Honour of Bernhard Reitz. Trier: WVT Wiss. Verl. Trier (Mainz 伟德国际_伟德国际1946$娱乐app游戏 studies in English ; 9), S. 201-209.
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Middeke, Martin (2006): Minimal Art: On the Intermedial Aesthetic Context of Samuel Beckett's Late Theatre and Drama. In: Anglia - Zeitschrift für englische Philologie 123 (3), S. 359-380. DOI: 10.1515/angl.2005.359
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Middeke, Martin; Schwalm, Helga (2006): The Return of Biography: Introduction. In: Christoph Houswitschka, Gabriele Knappe, Anja Müller (Hg.): Anglistentag 2005 Bamberg: Proceedings. Trier: WVT Wiss. Verl. Trier (Proceedings of the Conference of the German Association of 伟德国际_伟德国际1946$娱乐app游戏 Teachers of English ; 27), S. 219-255.
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2005

Middeke, Martin (2005): Inter-/Transtextualit?t: Funktionen und Hermeneutische Tiefenstruktur. In: Hans Vilmar Geppert, Günter Butzer, Hubert Zapf (Hg.): Theorien der Literatur: Grundlagen und Perspektiven; Band 2. Tübingen: Francke, S. 225-242.
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Huber, Werner; Middeke, Martin; Zapf, Hubert (2005): Introduction. In: Werner Huber, Martin Middeke, Hubert Zapf (Hg.): Self-Reflexivity in Literature. Würzburg: K?nigshausen & Neumann (Text & Theorie ; 6), S. 7-11.
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Huber, Werner; Middeke, Martin; Zapf, Hubert (Hg.) (2005): Self-Reflexivity in Literature. Würzburg: K?nigshausen & Neumann (Text & Theorie ; 6).
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Middeke, Martin (2005): Self-Reflexivity, Trans-/Intertextuality and Hermeneutic Deep-Structure in Contemporary British Fiction. In: Werner Huber, Martin Middeke, Hubert Zapf (Hg.): Self-Reflexivity in Literature. Würzburg: K?nigshausen & Neumann (Text & Theorie ; 6), S. 211-222.
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2004

Middeke, Martin (2004): Die Kunst der gelebten Zeit : zur Ph?nomenologie literarischer Subjektivit?t im englischen Roman des ausgehenden 19. Jahrhunderts. Würzburg: K?nigshausen & Neumann (Text & Theorie ; 1).
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2003

Middeke, Martin (2003): Samuel Beckett: En attendant Godot / Warten auf Godot. In: Hans Vilmar Geppert, Günter Butzer, Hubert Zapf (Hg.): Gro?e Werke der Literatur : Band 8: 2002/2003. Tübingen: Francke, S. 201-218.
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2002

Middeke, Martin (2002): Brooke-Rose, Christine. In: Eberhard Kreutzer, Ansgar Nünning (Hg.): Metzler-Lexikon englischsprachiger Autorinnen und Autoren : 631 Portr?ts ; von den Anf?ngen bis in die Gegenwart. Stuttgart [u.a.]: Metzler, S. 71-72. DOI: 10.1007/978-3-476-05213-1
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Middeke, Martin (2002): Butler, Samuel [der Jüngere]. In: Eberhard Kreutzer, Ansgar Nünning (Hg.): Metzler-Lexikon englischsprachiger Autorinnen und Autoren : 631 Portr?ts ; von den Anf?ngen bis in die Gegenwart. Stuttgart [u.a.]: Metzler, S. 88-89. DOI: 10.1007/978-3-476-05213-1
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Middeke, Martin (2002): Carlyle, Thomas. In: Eberhard Kreutzer, Ansgar Nünning (Hg.): Metzler-Lexikon englischsprachiger Autorinnen und Autoren : 631 Portr?ts ; von den Anf?ngen bis in die Gegenwart. Stuttgart [u.a.]: Metzler, S. 98-101.
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Middeke, Martin (2002): Die Poetologie gelebter Zeit im sp?tviktorianischen Roman. In: Martin Middeke (Hg.): Zeit und Roman: Zeiterfahrung im historischen Wandel und ?sthetischer Paradigmenwechsel vom sechzehnten Jahrhundert bis zur Postmoderne. Würzburg: K?nigshausen & Neumann, S. 161-195.
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Middeke, Martin (2002): Dimensionen gelebter Zeit im Fin de siècle: Joseph Conrads Lord Jim. In: Monika Fludernik, Ariane Huml (Hg.): Fin de Siècle. Trier: WVT Wiss. Verl. Trier (Literatur - Imagination - Realit?t ; 29), S. 153-174.
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Middeke, Martin (2002): Oscar, the Proto-Postmodern? Peter Ackroyd?s The Last Testament of Oscar Wilde. In: Uwe B?ker, Richard Corballis, Julie A. Hibbart (Hg.): The Importance of Reinventing Oscar: Versions of Wilde during the last 100 years. Amsterdam [u.a.]: Rodopi (Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft : IFAVL), S. 207-217.
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Middeke, Martin (2002): Poliakoff, Stephen. In: Eberhard Kreutzer, Ansgar Nünning (Hg.): Metzler-Lexikon englischsprachiger Autorinnen und Autoren : 631 Portr?ts ; von den Anf?ngen bis in die Gegenwart. Stuttgart [u.a.]: Metzler, S. 461-462. DOI: 10.1007/978-3-476-05213-1
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Middeke, Martin (2002): Stoker, Bram [= Abraham]. In: Eberhard Kreutzer, Ansgar Nünning (Hg.): Metzler-Lexikon englischsprachiger Autorinnen und Autoren : 631 Portr?ts ; von den Anf?ngen bis in die Gegenwart. Stuttgart [u.a.]: Metzler, S. 557-558. DOI: 10.1007/978-3-476-05213-1
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Middeke, Martin (2002): Webster, John. In: Eberhard Kreutzer, Ansgar Nünning (Hg.): Metzler-Lexikon englischsprachiger Autorinnen und Autoren : 631 Portr?ts ; von den Anf?ngen bis in die Gegenwart. Stuttgart [u.a.]: Metzler, S. 608-609. DOI: 10.1007/978-3-476-05213-1
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Middeke, Martin (Hg.) (2002): Zeit und Roman: Zeiterfahrung im historischen Wandel und ?sthetischer Paradigmenwechsel vom sechzehnten Jahrhundert bis zur Postmoderne. Würzburg: K?nigshausen & Neumann.
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Middeke, Martin (2002): Zeit und Roman: zur Einführung. In: Martin Middeke (Hg.): Zeit und Roman: Zeiterfahrung im historischen Wandel und ?sthetischer Paradigmenwechsel vom sechzehnten Jahrhundert bis zur Postmoderne. Würzburg: K?nigshausen & Neumann, S. 1-20.
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2001

Middeke, Martin (2001): Metadrama and/as (Cultural) Evolution: Timberlake Wertenbaker?s After Darwin. In: Bernhard Reitz, Heiko Stahl (Hg.): What Revels Are in Hand: Assessments of COntemporary Drama in English in Honour of Wolfgang Lippke. Trier: WVT Wiss. Verl. Trier (CDE studies ; 8), S. 163-181.
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Middeke, Martin (2001): The Poetics of Lived Time: Time Cinsciousness and Literary Subjectivity in the Late-Victorian Novel. In: Peter Lucko (Hg.): Anglistentag 2000 Berlin: Proceedings. Trier: WVT Wiss. Verl. Trier (Proceedings of the Conference of the German Association of 伟德国际_伟德国际1946$娱乐app游戏 Teachers of English ; 22), S. 407-420.
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1999

Middeke, Martin; Huber, Werner (Hg.) (1999): Biofictions: The Rewriting of Romantic Lives in Contemporary Fiction and Drama. Rochester [u.a.]: Camden House.
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Middeke, Martin (1999): Introduction. In: Martin Middeke, Werner Huber (Hg.): Biofictions: The Rewriting of Romantic Lives in Contemporary Fiction and Drama. Rochester [u.a.]: Camden House (Studies in English and American literature, linguistics, and culture), S. 1-25.
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Middeke, Martin (1999): The Triumph of Analogous Text Over Digital Truth: Biography, Différance, and Deconstructive Play in Amanda Prantera?s Conversations with Lord Byron on Perversion, 163 Years after His Lordships?s Death. In: Martin Middeke, Werner Huber (Hg.): Biofictions: The Rewriting of Romantic Lives in Contemporary Fiction and Drama. Rochester [u.a.]: Camden House (Studies in English and American literature, linguistics, and culture), S. 120-137.
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1998

Middeke, Martin (1998): Angela Carter: Nights at the Circus. In: Jens Walter (Hg.): Kindlers neues Literatur-Lexikon: Band 21: Supplement A - K. München: Kindler, S. 212-214.
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Huber, Werner; Middeke, Martin (Hg.) (1998): Anthropological Perspectives: papers given on the occasion of the sixth annual conference of the "German Society for Contemporary Theatre and Drama in English". Trier: WVT, Wiss. Verl. Trier (Contemporary drama in English ; 5).
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Huber, Werner; Middeke, Martin (1998): Introduction. In: Werner Huber, Martin Middeke (Hg.): Anthropological perspectives: papers given on the occasion of the sixth annual conference of the "German Society for Contemporary Theatre and Drama in English". Trier: WVT Wiss. Verl. Trier (Contemporary drama in English ; 5), S. 9-18.
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Middeke, Martin (1998): Stephen Poliakoff: Strawberry Fields. In: Jens Walter (Hg.): Kindlers neues Literatur-Lexikon: Band 22: Supplement L-Z. München: Kindler, S. 315-316.
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Middeke, Martin (1998): Timberlake Wertenbaker: Our Country?s Good. In: Walter Jens (Hg.): Kindlers neues Literatur-Lexikon: Band 21: Supplement A - K. München: Kinder, S. 694-696.
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1996

Middeke, Martin; Huber, Werner (1996): Biography in Contemporary Drama. In: Bernhard Reitz (Hg.): Drama and Reality: papers given on the occasion of the third annual conference of the "German Society for Contemporary Theatre and Drama in English". Trier: WVT Wiss. Verl. Trier (Contemporary drama in English ; 3), S. 133-143.
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Middeke, Martin (1996): Drama and the Desire for History: The Plays of Timberlake Wertenbaker. In: Uwe B?ker, Hans Sauer (Hg.): Anglistentag 1996 Dresden: proceedings. Trier: WVT Wiss. Verl. Trier (Proceedings of the Conference of the German Association of 伟德国际_伟德国际1946$娱乐app游戏 Teachers of English ; 18), S. 223-233.
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1995

Middeke, Martin (1995): Fashion and the 伟德国际_伟德国际1946$娱乐app游戏ia Age: Hyperreality in the Plays of Stephen Poliakoff. In: Bernhard Reitz (Hg.): Centres and Margins: papers given on the occasion of the second annual conference of the "German Society for Contemporary Theatre and Drama in English". Trier: WVT Wiss. Verl. Trier (Contemporary drama in English ; 2), S. 109-117.
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Middeke, Martin (1995): Sinnkrise, Faschismus und Verselbstst?ndigung der Gewalt: Howard Bakers That Good Between Us und Stephen Poliakoffs Strawberry Fields. In: Bernhard Reitz (Hg.): Can't we 'ave some order 'ere! Rechtsextremismus im zeitgen?ssischen britischen Drama. Heidelberg: Winter (Anglistik & Englischunterricht ; 57), S. 35-58.
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1994

Middeke, Martin (1994): Stephen Poliakoff: Drama und Dramaturgie in der abstrakten Gesellschaft. Paderborn u.a.: Sch?ningh (Schriften der Universit?t, Gesamthochschule Paderborn ; 14).
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Zugl.: Paderborn, Univ., Diss., 1993

1991

Middeke, Martin; Weskamp, Ralf (1991): Stephen Poliakoff's "City Sugar": teacher's book. Frankfurt am Main: Diesterweg.
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1990

Weskamp, Ralf; Middeke, Martin (Hg.) (1990): Poliakoff, Stephen: City Sugar. Frankfurt am Main: Diesterweg.
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Supervised doctoral and post-doctoral theses

Doctoral Theses

Finished

Christoph Loreck, The Classical Tradition as a Magic Thread: John Keats and the 'Labyrinthian Path to Eminence in Art' (2005).
Sybille P?rsch, Differenz und Interdependenz: Die Krise der Metaerz?hlungen und ihre Folgen in Salman Rushdies The Satanic Verses und Don DeLillos Underworld (2007).
Stephanie Egger-Gajardo, Das Prinzip Unentrinnbarkeit: Heteronormativit?t in Werken von Angela Carter und Christine Brooke-Rose (2008) [Würzburg, K?nigshausen & Neumann, 2008].
Meike DeVries, Das Theodizee-Problem bei Thomas Hardy (2009).
El?bieta Baraniecka, Sublime Drama: British Theatre of the 1990s (2011) [Berlin: De Gruyter, 2013; CDE Bi-Annual Award 2012].
David R. Kerler, Postmoderne Palimpseste: Studien zur (meta-)hermeneutischen Tiefenstruktur intertextueller Erz?hlverfahren im Gegenwartsroman (2011). [Würzburg: K?nigshausen & Neumann, 2013; Universit?tspreis der Universit?t Augsburg für die beste Dissertation des Jahres 2011]
Georg Hauzenberger, 'It's Not by Any Lack of Ghosts We're Haunted': First Nations Gothic and Spiritual Realism (2013). [Würzburg: K?nigshausen & Neumann, 2014].
Adina Sorian, Reading the Real: Toward a Reevaluation of Lacanian Theory in the Study of Twenty-First Century Fiction and Film (2015) [Würzburg, K?nigshausen & Neumann, 2017; Wissenschaftspreis der Universit?t Augsburg].
Gerald Farca, Playing Dystopia: Nightmarish Worlds in Video Games and the Player’s Aesthetics Response [Bielefeld: transcript, 2018].
Martin Riedelsheimer, The Fiction of Infinity: Ethics in the Contemporary Novel (2019).
Korbinian St?ckl, Conceptions of Love in Contemporary Drama (2019).

In Progress

Christian Attinger, The Theatre of Philip Ridley [Working titel];
Christina Sch?nberger, The Interplay of Distance and Closeness: (Narrative) Strategies in Second and Third Person Autobiographical Writing [Working titel];
Eva Ries, Fl?nerie as Technique of Self: Ethical Subjects in Contemporary Anglophone Fl?nerie Texts [Working titel];
Leila Michelle Vaziri, Politics, Psychology and Philosophy in Contemporary British Drama: The Theatre of Anxiety [Working titel];
Alexander Lehner, Metagames: Theory and Practice of Self-Conscious Videogames [Working titel];
Anja Weller, Affect and the Aesthetics of Trauma Narration in Utopian and Dystopian Speculative Fiction [Working titel]

Post-Doctoral Theses

Finished

Christina Wald, Spectres of Transubstantiation: The Eucharist, Disguise and Foreign Fashion in Early Modern Prose (Berlin/Boston: De Gruyter, 2014).
Christoph Henke, The Discourse of Common Sense in ?the ?Literature ?and ?Culture ?of Early Eighteenth-?Century Britain: Ethics, Aesthetics, Politics (Berlin/Boston: De Gruyter, 2014)

In Progress

David Kerler, The Archive Fever of the Romantics: Melancholia, Memory, and Spectrality [Working titel]

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